Restoration England 1660-1685Common Misconceptions

Common Misconceptions

Part of Culture and TheatreGCSE History

This common misconceptions covers Common Misconceptions within Culture and Theatre for GCSE History. Revise Culture and Theatre in Restoration England 1660-1685 for GCSE History with 8 exam-style questions and 4 flashcards. This topic shows up very often in GCSE exams, so students should be able to explain it clearly, not just recognise the term. It is section 11 of 14 in this topic. Use this common misconceptions to connect the idea to the wider topic before moving on to questions and flashcards.

Topic position

Section 11 of 14

Practice

8 questions

Recall

4 flashcards

⚠️ Common Misconceptions

Misconception 1: "Restoration theatre was enjoyed by everyone"

Theatre was an expensive, elite entertainment concentrated in London. A seat in the pit at Drury Lane cost a shilling or more at a time when an unskilled labourer earned perhaps a shilling a day. Ordinary people — the majority of England's population — still preferred bear-baiting, fairs, alehouses, and street entertainments. The cultural explosion of the Restoration was real, but it was overwhelmingly confined to London's wealthy elite: courtiers, merchants, lawyers, and the gentry. Provincial England was largely untouched by Restoration theatre. If you write that "all English people enjoyed the cultural revival," an examiner will challenge it.

Misconception 2: "Women acting on stage was immediately accepted as normal"

The introduction of women actors in 1660 was genuinely revolutionary — England was one of the last major theatrical cultures in Europe to allow it. But it was not without controversy. Actresses were frequently associated with sexual immorality and prostitution, and the association between theatre and vice that Puritans had attacked did not simply dissolve. The fact that Charles II took Nell Gwyn as his mistress, and that many other actresses had wealthy lovers, reinforced the link in some people's minds. Actresses like Nell Gwyn and Elizabeth Barry became famous and celebrated, but their fame was partly because they transgressed normal expectations of women's public roles. The change was significant and should be emphasised in answers — but note that it was concentrated in the theatre world. Attitudes to women's roles in wider English society changed very little.

Misconception 3: "All Restoration culture was new or anti-Puritan"

The dramatic changes of 1660 can obscure significant continuities. Shakespeare and Ben Jonson were still performed — often in adapted, updated versions, but the pre-Civil War dramatic tradition survived into the Restoration. Church music continued its long tradition; Purcell wrote devotional as well as theatrical music. In rural England, many popular customs, festivities, and folk traditions that Puritans had tried to suppress simply re-emerged without any royal encouragement — they had never entirely disappeared. The Restoration intensified and made fashionable cultural changes already underway, rather than inventing culture from scratch.

Keep building this topic

Read this section alongside the surrounding pages in Culture and Theatre. That gives you the full topic sequence instead of a single isolated revision point.

Practice Questions for Culture and Theatre

Why were theatres closed during the Interregnum (1642-1660)?

  • A. Charles I ordered them closed as a wartime measure to save money
  • B. The Puritans considered theatres sinful and immoral
  • C. The theatres were destroyed in the Great Fire of London
  • D. French playwrights had taken all the best acting roles
1 markfoundation

What was significant about who performed in Restoration theatres for the first time in English history?

  • A. Foreign playwrights were allowed to write English plays for the first time
  • B. Working-class audiences were admitted to the pit for a penny
  • C. Women were allowed to perform as actresses on the public stage
  • D. Boys under the age of twelve were banned from acting
1 markfoundation

Quick Recall Flashcards

Who was Aphra Behn?
First professional woman playwright and novelist in England. Wrote The Rover (1677) and Oroonoko — one of the first English novels (1688). Worked as a spy for Charles II in Antwerp during the Dutch Wars. Pioneer of women in professional writing.
Why had theatres been closed before 1660?
Puritans banned plays as immoral during the Interregnum (1642-1660) — they condemned theatrical performances as corrupting and irreligious. Charles II's Restoration immediately reversed this, issuing licences for two theatre companies in 1660.

Want to test your knowledge?

PrepWise has 8 exam-style questions and 4 flashcards for Culture and Theatre — with adaptive difficulty and instant feedback.

Join Alpha