Colonial Context: The New World and the 1609 Pamphlet

Part of Caliban (character) · Section 10 of 17

Study NotesUnit: The TempestGCSE

This study notes covers Colonial Context: The New World and the 1609 Pamphlet within Caliban (character) for GCSE English Literature. Revise Caliban (character) in The Tempest for GCSE English Literature with 12 exam-style questions and 17 flashcards. This topic shows up very often in GCSE exams, so students should be able to explain it clearly, not just recognise the term. It is section 10 of 17 in this topic. Use this study notes to connect the idea to the wider topic before moving on to questions and flashcards.

🏛️ Colonial Context: The New World and the 1609 Pamphlet

The Tempest (c.1611) was written when English colonial activity in the Americas was intensifying. The 1609 Bermuda pamphlets — accounts of the Virginia Company's Sea Venture shipwreck — were circulating when Shakespeare was composing the play. The language of the "savage" native in 17th-century colonial discourse — inferior, childlike, requiring governance — shapes the vocabulary Prospero and Miranda use about Caliban.

The name "Caliban" is widely understood as an anagram of "cannibal" — the Jacobean term for indigenous New World people, derived from Columbus. Montaigne's essay Of Cannibals (1580, translated by Florio 1603) argued that so-called savages were in many ways more virtuous than Europeans — a direct contextual challenge Shakespeare likely knew.

How this connects to the text: When Caliban says "This island's mine, by Sycorax my mother, / Which thou tak'st from me", Shakespeare gives him the exact legal argument that New World peoples could not make in colonial discourse — a dispossession claim articulated in the coloniser's own language. The colonial context makes Caliban's ownership claim not merely personal grievance but a structural challenge to 17th-century ideologies of settlement.

Later readers, particularly post-colonial critics, have read Caliban as the archetype of the colonised subject — Aimé Césaire's Une Tempête (1969) rewrites the play with Caliban as a Black Caribbean revolutionary. These are critical responses produced 350 years after Shakespeare; introduce them in essays as "later readers have argued..." rather than as 1611 meaning.

Practice questions for Caliban (character)

In Act 1 Scene 2, Caliban claims the island is his. How does he justify this claim?

  • A. He built shelters and farmed the land before Prospero arrived
  • B. He inherited it from his mother Sycorax, who ruled the island
  • C. He was given the island as a gift by the spirit Ariel
  • D. He was born on the island before any other living creature
1 markfoundation

Explain how Shakespeare uses language in the quotation 'You taught me language, and my profit on't / Is I know how to curse' to present the colonial relationship between Prospero and Caliban. [2 marks]

2 marksstandard

Quick recall flashcards

What is the DDA mnemonic for Caliban's three key quotes?
DDA — one quote per stage: • D ISPOSSESSED: 'This island's mine, by Sycorax my mother' (1.2) • D EGRADED but lyrical: 'The isle is full of noises, sounds and sweet airs' (3.2) • A WARE: 'I'll be wise hereafter / And seek for grace' (5.1) Bonus: 'You taught me language, and my profit on't / Is I know how to curse' (1.2) — use on language AND colonialism questions
What is colonialism, as relevant to The Tempest?
Colonialism: the practice of one group settling and taking control of another people's territory, imposing language, law, and labour. In The Tempest: • Prospero arrives on the island Caliban already inhabits • He teaches Caliban his language • He forces Caliban into servitude • He justifies control through Caliban's alleged inferiority All four steps mirror 17th-century colonial practice in the Americas.

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