This deep dive covers Stage 1: PROPHECY (Acts 1-2) within Theme: Guilt & the Supernatural for GCSE English Literature. Revise Theme: Guilt & the Supernatural in Macbeth for GCSE English Literature with 12 exam-style questions and 15 flashcards. This topic shows up very often in GCSE exams, so students should be able to explain it clearly, not just recognise the term. It is section 2 of 16 in this topic. Use this deep dive to connect the idea to the wider topic before moving on to questions and flashcards.
🔮 Stage 1: PROPHECY (Acts 1-2)
The play opens on the supernatural before it opens on a single human act. "When shall we three meet again / In thunder, lightning, or in rain?" (1.1) — Shakespeare puts the witches on stage in trochaic tetrameter, a meter that sounds nothing like the iambic blank verse of the human characters. The supernatural arrives as ambiguity: prophecy, not command.
In 1.3 the witches greet Macbeth and Banquo with the same supernatural information — Macbeth will be king; Banquo's heirs will be kings. Two men, one prophecy, two responses. Banquo asks what the witches are; Macbeth asks them to "stay" and "speak more". The supernatural reveals the inner life of the listener: Banquo sees temptation and resists; Macbeth sees a future and reaches for it. By 1.4 Macbeth's apostrophe "Stars, hide your fires; / Let not light see my black and deep desires" shows guilt already at work — he KNOWS the desire is wrong before the deed has happened.
Shakespeare's choice here is structural. Prophecy is morally neutral. Guilt begins the moment Macbeth interprets the prophecy as permission to kill.
Quick Check: Banquo hears the same prophecy as Macbeth in 1.3 but responds differently. What does this contrast reveal about Shakespeare's argument regarding the supernatural?
Shakespeare uses the Macbeth/Banquo contrast to argue that the supernatural does not CAUSE the tragedy — it reveals the listener's conscience. Banquo "play[s] / Most foully for't" in his mind but prays to "merciful powers" (2.1) to restrain him; Macbeth interprets prophecy as permission. The same external stimulus, two opposite responses: Shakespeare places moral choice firmly with the individual, not the witches. A Level 5 essay makes this argument explicit.
Practice questions for Theme: Guilt & the Supernatural
Which quote is spoken by Macbeth just before he kills King Duncan?
In Act 2 Scene 1, Macbeth asks 'Is this a dagger which I see before me?' Identify one technique Shakespeare uses here and explain its effect on the audience.