Two Men, Two Frames, Two Failures

<div class="fc-quotation-meta"><span>Lanyon (reported by Utterson)</span><span>Chapter 6</span><span>Rationalism · Gothic · Philosophical Collapse</span></div><p><strong>What it shows:</strong> Stevenson uses Lanyon's self-diagnosis to demonstrate that what the transformation destroys is not physical health but epistemological certainty. "A shock" — Lanyon cannot name what he has seen. The Victorian scientific vocabulary has no term for it. Stevenson presents the inarticulacy as the point: what cannot be classified cannot be survived.</p><div class="fc-quotation-significance"><strong>Significance</strong>Stevenson positions Lanyon's death as philosophical rather than physical. Victorian rationalism — confident, cheerful, certain of its categories — cannot accommodate the Gothic truth and so ceases. Lanyon is Stevenson's proof that the era's dominant intellectual framework is insufficient.</div><div class="fc-quotation-deployment"><strong>Use in essays on</strong>Lanyon's death and its meaning; Victorian science and its limits; how Stevenson uses secondary characters to make structural arguments; Gothic genre and the limits of rationalism.</div>

Epistolary means told through documents — letters, manuscripts, written accounts. Jekyll and Hyde uses the form in Chapters 9 and 10: Lanyon's letter (a posthumous witness account) and Jekyll's Full Statement (a posthumous confession). Both documents give the narrators a voice after death, and both arrive as physical objects Utterson must read. Stevenson uses the form to create narrative distance — the truths in these documents cannot be cross-examined. They arrive as final, uncontested, and unreachable.