Vocabulary for Utterson and Lanyon

Part of Lanyon and Utterson · Section 9 of 15

DefinitionsUnit: The Strange Case of Dr Jekyll and Mr HydeGCSE

This definitions covers Vocabulary for Utterson and Lanyon within Lanyon and Utterson for GCSE English Literature. Revise Lanyon and Utterson in The Strange Case of Dr Jekyll and Mr Hyde for GCSE English Literature with 10 exam-style questions and 15 flashcards. This is a high-frequency topic, so it is worth revising until the explanation feels precise and repeatable. It is section 9 of 15 in this topic. Make sure you can use the exact wording confidently, because definition marks are often lost through vague language.

📜 Vocabulary for Utterson and Lanyon

Frame narrator
The narrator who shapes the reader's access to events. Utterson is the frame narrator: the reader sees only what he can credit and understand. Stevenson uses this limitation as a structural argument about the Victorian professional worldview.
Foil
A character whose contrasting qualities define another character by opposition. Lanyon is Jekyll's foil: his cheerful orthodoxy defines the scientific boundary that Jekyll transgresses.
Epistolary
Told through documents — letters, manuscripts, written accounts. Jekyll and Hyde is partly epistolary: Lanyon's letter and Jekyll's Full Statement are delivered as written documents, giving each narrator a posthumous voice.
Dramatic irony
When the reader knows more than the character. Stevenson deploys dramatic irony across Utterson's chapters: the reader accumulates suspicion faster than Utterson can, because the reader is not bound by his professional rationality.
Narrative perspective
The angle from which a story is presented. Stevenson uses multiple perspectives — Enfield, Utterson, Lanyon, Jekyll — to give partial views before the final revelation. No single narrator has the full picture until Chapter 10.

Practice questions for Lanyon and Utterson

Which of the following best describes Utterson's role in Jekyll and Hyde?

  • A. He is the villain who blackmails Jekyll and Hyde
  • B. He is Jekyll's lawyer and the primary viewpoint character who investigates the Hyde mystery
  • C. He is a scientist who experiments on Jekyll's behalf
  • D. He is a clergyman who tries to save Jekyll through prayer
1 markfoundation

Explain ONE technique Stevenson uses in constructing Utterson as the novella's narrator, and explain its effect.

2 marksstandard

Quick recall flashcards

What does "epistolary" mean? How does Stevenson use it in Jekyll and Hyde?
Epistolary means told through documents — letters, manuscripts, written accounts. Jekyll and Hyde uses the form in Chapters 9 and 10: Lanyon's letter (a posthumous witness account) and Jekyll's Full Statement (a posthumous confession). Both documents give the narrators a voice after death, and both arrive as physical objects Utterson must read. Stevenson uses the form to create narrative distance — the truths in these documents cannot be cross-examined. They arrive as final, uncontested, and unreachable.
I have had a shock, and I shall never recover.
<div class="fc-quotation-meta"><span>Lanyon (reported by Utterson)</span><span>Chapter 6</span><span>Rationalism · Gothic · Philosophical Collapse</span></div><p><strong>What it shows:</strong> Stevenson uses Lanyon's self-diagnosis to demonstrate that what the transformation destroys is not physical health but epistemological certainty. "A shock" — Lanyon cannot name what he has seen. The Victorian scientific vocabulary has no term for it. Stevenson presents the inarticulacy as the point: what cannot be classified cannot be survived.</p><div class="fc-quotation-significance"><strong>Significance</strong>Stevenson positions Lanyon's death as philosophical rather than physical. Victorian rationalism — confident, cheerful, certain of its categories — cannot accommodate the Gothic truth and so ceases. Lanyon is Stevenson's proof that the era's dominant intellectual framework is insufficient.</div><div class="fc-quotation-deployment"><strong>Use in essays on</strong>Lanyon's death and its meaning; Victorian science and its limits; how Stevenson uses secondary characters to make structural arguments; Gothic genre and the limits of rationalism.</div>

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