Key Terms

Part of Theme: Power & Control · Section 11 of 17

DefinitionsUnit: The TempestGCSE

This definitions covers Key Terms within Theme: Power & Control for GCSE English Literature. Revise Theme: Power & Control in The Tempest for GCSE English Literature with 12 exam-style questions and 16 flashcards. This topic shows up very often in GCSE exams, so students should be able to explain it clearly, not just recognise the term. It is section 11 of 17 in this topic. Make sure you can use the exact wording confidently, because definition marks are often lost through vague language.

📖 Key Terms

Usurpation
The seizure of power from a legitimate ruler by force or fraud. In The Tempest, Antonio's overthrow of Prospero in Milan is usurpation — and the play's opening crisis. Sebastian's plot against Alonso is an attempted second usurpation within the play's present action.
Patriarchal power
Authority exercised by a father-figure over dependants, particularly women. Prospero's control over Miranda — deciding her education, her marriage, her knowledge — is an exercise of patriarchal power that the play largely presents without critique.
Theatrical self-reflexivity
When a play draws attention to its own nature as a performance. The Epilogue is Shakespeare's most explicit example: Prospero steps outside the fiction to ask the audience for applause — making visible the power relationship between playwright, performer, and audience that the play has been exploring through Prospero's magic.
Renunciation
The formal giving up of power, a title, or a claim. Prospero's abjuring of his magic is an act of renunciation — the voluntary release of something he could have kept. Shakespeare presents this as a moral choice, not a defeat.

Practice questions for Theme: Power & Control

Miranda's exclamation 'O brave new world / That has such people in't!' reveals which of the following about her situation?

  • A. She has explored the island widely and knows it better than her father.
  • B. She has only ever seen the world Prospero has allowed her to see, so the courtiers appear wonderful to her.
  • C. She is pretending to be innocent to deceive Ferdinand.
  • D. She has secretly disagreed with her father's control throughout the play.
1 markfoundation

Read the following quotation from Act 1 Scene 2: 'Hag-seed, hence! / Fetch us in fuel.' How does Shakespeare use language technique to present colonial power in this quotation? [2 marks]

2 marksstandard

Quick recall flashcards

What is usurpation and where does it appear in The Tempest?
Usurpation: the seizure of power from a legitimate ruler by force or fraud. In The Tempest — two instances: 1. PAST: Antonio usurped Prospero's Milan dukedom 12 years before the play begins — the crime that triggers the entire plot 2. PRESENT: Sebastian plots to murder Alonso (urged by Antonio) to seize Naples — a second usurpation attempted within the play's action Shakespeare uses the repetition to argue that the desire to usurp power is not Antonio's personal flaw but a structural temptation — the same crime nearly happens twice.
What is the AFR mnemonic for Power & Control in The Tempest?
AFR — one quote per stage: • A RCHITECTURE: 'Hag-seed, hence! Fetch us in fuel' (1.2) — colonial power in action • F RAGILE: 'We are such stuff as dreams are made on' (4.1) — after the masque collapses • R ELEASED: 'This rough magic I here abjure' (5.1) + 'Release me from my bands' (Epilogue) Bonus: 'The rarer action is in virtue than in vengeance' (5.1) — use on mercy AND power as choice questions

12 questions on Theme: Power & Control — practise free

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