Starting in the Action

English LanguageAQAGCSEUnit: Writing — Creative Structure
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The basics

📖 The Grade 5 Story Starts with the Weather

📖 The Grade 5 Story Starts with the Weather

You know this opening: “It was a cold winter morning. My name is James. I was 15. I lived in a small town. One day, something happened…”

By the time the story arrives, the examiner has read six sentences of setup that did nothing. The Grade 7 opening does not do this. It drops you in. Something is already happening, already specific, already charged — before you have been formally introduced to anyone.

What does 'in medias res' mean, and how does it differ from a setup-first opening?: <strong>In medias res</strong> (Latin: &ldquo;into the middle of things&rdquo;) means starting a story in the middle of an action or moment that is already in progress &mdash; with no introduction, no setup, no explanation.<br><br><strong>Setup-first (L2):</strong> &ldquo;It was Tuesday. My name is Sarah. I was running away.&rdquo;<br><strong>In medias res (L4):</strong> &ldquo;The bag snagged on the gate latch. She yanked it free.&rdquo;<br><br><strong>Why it earns marks:</strong> withheld context creates tension. The reader does not know who, where, or why &mdash; and that not-knowing pulls them forward. The writer positions the reader as an observer arriving mid-scene.
Key terms

English Language glossary

What does 'in medias res' mean, and how does it differ from a setup-first opening?
<strong>In medias res</strong> (Latin: &ldquo;into the middle of things&rdquo;) means starting a story in the middle of an action or moment that is already in progress &mdash; with no introduction, no setup, no explanation.<br><br><strong>Setup-first (L2):</strong> &ldquo;It was Tuesday. My name is Sarah. I was running away.&rdquo;<br><strong>In medias res (L4):</strong> &ldquo;The bag snagged on the gate latch. She yanked it free.&rdquo;<br><br><strong>Why it earns marks:</strong> withheld context creates tension. The reader does not know who, where, or why &mdash; and that not-knowing pulls them forward. The writer positions the reader as an observer arriving mid-scene.
Spotlight
&#128269; Two Powerful Openings &#8212; One Move Each

There are two closely related techniques behind a strong creative opening. You can use either or both. Both are advanced moves that AQA rewards at Level 4 in Paper 1 Question 5.

Now try it yourself

Quiz · Question 1 of 12

Which of the following openings uses in medias res?

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